KAROLY SZATMARI

documentary photographer

Fibonacci Sequence


Perfect, Optimal, or Simulation?

The Fibonacci sequence appears repeatedly in nature in plants, shells, and living structures. These patterns often feel intentional, as if guided by an unseen logic.

This series does not attempt to prove a theory. It explores a question:
Do these forms represent perfection, biological optimization, or the human tendency to search for meaning in randomness?

By focusing on naturally occurring structures, the work reflects more on our need for interpretation than on the patterns themselves.

Perhaps Fibonacci is not a hidden message,
but simply the visible trace of an efficient system.

And perhaps our search for meaning tells us more about ourselves than about the world.